Five Scenes from Six and Renaldo
Linda Phillimore
waiting all morning it seems then we hear
him before we see him that old austin-
healey backfiring as it flies around doc
simon’s corner almost on two wheels before
rolling to a stop and there’s renaldo
unfolding himself from behind the wheel
tequila bottle in one hand daffodils in the
other crowing julia querida
jonah and me giggling on the back stoop peering through the screen door too late mama calls us in and he’s swooping down on us before we know it whooping giving jonah a mock one-two but it’s me renaldo’s grabbing up under the arms twirling me like a dervish i shut my eyes and breathe in bay rum and something like danger
renaldo rumbas mama across the room right out the french doors mama’s protests don’t do one bit of good and daddy keeping time with two flamingo stir sticks just to be part of it all a smile stretched tight across his face like a band-aid besame mucho renaldo croons as around the patio they go till mama’s high heeled mule catches the flagstone and there they are tumbling laughing into the hammock and daddy laughing too
suppertime and renaldo’s helping himself to seconds and filling empty wine glasses all the while talking about mazatlan and plans for a marina another deal that went sour some s.o.b. who bailed on him only renaldo talking daddy nodding every now and then mama trying to catch his eye and it seems the talk’s run out until daddy says it’s a damn shame about juanita
renaldo says he really should be driving down to escondido tonight mama just smiles and doesn’t say the spare room’s been made up for days and daddy doesn’t say we make our own beds and lie in them and the same light that spins such afternoons luminous can wane faster than two taillights disappearing around a corner
jonah and me giggling on the back stoop peering through the screen door too late mama calls us in and he’s swooping down on us before we know it whooping giving jonah a mock one-two but it’s me renaldo’s grabbing up under the arms twirling me like a dervish i shut my eyes and breathe in bay rum and something like danger
renaldo rumbas mama across the room right out the french doors mama’s protests don’t do one bit of good and daddy keeping time with two flamingo stir sticks just to be part of it all a smile stretched tight across his face like a band-aid besame mucho renaldo croons as around the patio they go till mama’s high heeled mule catches the flagstone and there they are tumbling laughing into the hammock and daddy laughing too
suppertime and renaldo’s helping himself to seconds and filling empty wine glasses all the while talking about mazatlan and plans for a marina another deal that went sour some s.o.b. who bailed on him only renaldo talking daddy nodding every now and then mama trying to catch his eye and it seems the talk’s run out until daddy says it’s a damn shame about juanita
renaldo says he really should be driving down to escondido tonight mama just smiles and doesn’t say the spare room’s been made up for days and daddy doesn’t say we make our own beds and lie in them and the same light that spins such afternoons luminous can wane faster than two taillights disappearing around a corner
Issue 10
Figurative vs. Literal
Fall 2009
Nonfiction
This Is a Woman
Gretchen Clark
Excerpt from Crocodile: Memoirs
From a Mexican Drug-Running Port
David Vann
Poetry
Five Scenes from Six and Renaldo
Linda Phillimore
After Sappho
Christina Hutchins
Remainders
Christina Hutchins
The Music Inside
Christina Hutchins
The Ear as Rifle
Tania Van Winkle
Arriving in New York for My Grandfather’s Funeral
Alison Doernberg
Honeysuckle
Alison Doernberg
The Crossing
Caroline Knapp
Notes on Summer
Michael Gross
Notes on Continuation
Michael Gross
Fiction
Spanking Without a Cause
Kevin Killian
Dust
Patty Somlo
You Are Here
Elizabeth Rosner
Brother and Sister
Grace Andreacchi
The Ugly Duckling
Charles Haddox
Art
