Notes on Summer
Michael Grossa. The eyelid opens the
Tupperware container,
and the women laugh at.
The placid lake, surfaced
in a cellophane of mosquitoes,
and the thoughts
of knife wounds leap out
at them like trout,
and the couch floats
quietly by, nylon-clad
legs arched over the edge
sinking lead fucks to
the floor, and over the
mountains comes a wind:
honking, headlights
flashing, and the idea
of windblasted faces or
tricked-out Mustangs
free-leap from the mind
to the surface, wrapped
bodies and angry strikes
to the trees at the water’s
edge, and past the
sphere of the cranium
into the radar view:
a heavy billow of wet
wet glances.
b. In the immediate moments
after the shot fired, a
mouse-sized yell hung
from the noose of the tongue,
a squirrel clung to
the side of your neck,
cheeks full of sayings said
before, never again,
you rusted out your finger
nails while the rain puddled
around the aperture of the
flame of a house, 3BR 2.5
BA, a zipper caught on
the granddaughter’s lip.
What were we doing there
and who were we kissing
to get the fat of the land
ground up and stored off
in our fingers, grain
elevators, imagining the
clouds stopped and turn
into plane tails pointing
away from our dusted eyelash
to the silvery tossed memory
en route to LAX, only to be
seen 100 times in makeup
projected off the brick
wall, 100 thousand dollars
pissed away on a habit
of putting your hand deep in
the ground & pulling
out a fistful of worms &
birdbeaks & mice, all
clamoring for their spot
on MTV: a collective forgetting.
c. The only time I saw my
mother was her holding
a sack of groceries in
her mind like thoughts,
one bag of chips for
every three times she
looked out from
the porch, behind the ripped
screen door of her filmed
over eyes and saw a
swarm of bees burrowing
in the neighborhood asphalt
and running the show of
Summertime, like kites
tossed against the side
of your head, the ears
hear the coming storm:
stings reanimating the face.
d. Snowstorm of exploded
eggshells behind the glass
fishtank eyes looking
around with the deep
piranha mouth pupils, she
wears winter like a
coat of rabbits screaming
in front of the fox of the
field, her chest exposed,
mounds of prairie dogs
barking out the feathery
birds of hair wildly sweeping
across the surface
of her skin, to & fro,
a spirit making the world
in her spitting image,
she sells her ribs at
a neighborhood garage
sale to the first man
able to store her safely
in his beard, a yell from
the great plains end at the
feet of the Great Range,
a howl of wind full of
eggs, a fishtank tips
and explodes her ideas
into a dozen hungry
piranhas eyeing the winter
rabbit, screaming at the
feathers of glass mouthing:
a storm full of pupils.
Issue 10
Figurative vs. Literal
Fall 2009
This Is a Woman
Gretchen Clark
Excerpt from Crocodile: Memoirs
From a Mexican Drug-Running Port
David Vann
Five Scenes from Six and Renaldo
Linda Phillimore
After Sappho
Christina Hutchins
Remainders
Christina Hutchins
The Music Inside
Christina Hutchins
The Ear as Rifle
Tania Van Winkle
Arriving in New York for My Grandfather’s Funeral
Alison Doernberg
Honeysuckle
Alison Doernberg
The Crossing
Caroline Knapp
Notes on Summer
Michael Gross
Notes on Continuation
Michael Gross
Spanking Without a Cause
Kevin Killian
Dust
Patty Somlo
You Are Here
Elizabeth Rosner
Brother and Sister
Grace Andreacchi
The Ugly Duckling
Charles Haddox
