Atomic Gardening—
Adam Strauss
For Octavio Paz
Andrew Marvell
John Milton
The “mind has mountains—cliffs of fall”; I feel a roiling at
My throat.
Dear what are you doing in those mountains?
Mist mosaics but pierces through touches pines
Not a wall adored by no more than
The marks of its making—maybe a Ming vase smashed
By a king or
A man walks down a Mayan
Temple a full moon lights
Manifesting his interior—
I do not know whether it’s better to swim or sink
Like “stirred up flakes of sediment”—sentiment?—something valuable prints and
Time friezes;
Memory
Magnetizes: my mind examines minutest filigrees—follicles
Skinning—skeining—making
Me aware of my freedom—from here to there
Across greens—gardens—
In ironies’ growth
We grow closer to each other—
Reside in
The heart
Articulates edge
Crossing indeterminable easy to describe as
Existence’s “essential primitive”
Persuades like ants in adamant; cowslips and rhododendrons:
Our town’s most miraculous marge; beauty has me myself for breakfast:
Almost not hungry from the Predawn spread of blues
Affording fine views—electric
Field finds you through its supple windings
Take wing and we whoosh down winnowed
To instinct: attuned to wind’s
Window upon the world
And I’m left
This very moment with
“The
The” at the
Circumference of central-most musing—
Language at-hand defines as forking
Forth from a “universe’s fracture”
Manufactures force
“Done perfecter
In stone”
According to the weather; eyes open and
Close on a scene we can
Alter the course of: love
Lies coursing through every person
Whether they’re the first second or third
Time walking around a lake
As if infinity isn’t fine.
Firmaments fix every fin
Into a finish
Rhapsodically flickers; somewhere sun sparkles a lioness’ whisker-tips
Brush against toothsome green as she crops
A salad-cinctured rock
Ringed like a moon
Shines on teeth shred fleet flanks.
I substitutes farandoles for foibles and
Fumble into flashing off:
A bird from a “Burning Bush Shrub” or
A dash and why do I (it’s April)
Write a scene out of season
Displacing us
From where we’ve
Been?
Conversely
If every moment’s a springing
Then April flowers
May have something to do with icy sods—“My god
What is a heart?”
But to sing an America beautifully pied;
As a red-blooded American I’m proud to say my
Thought’s the bride of oh what lovely thinking;
Does I want to move to its heartland and shack up with a country stud
Mean I’m in love with its generic culture
And don’t really dig difference or
Does existence embody difference?
Please let us glide
Out of here to have a roof as high as sky
Thunder drops
A garden growing
Through the droppings of many fine sets of wings—an angle
Of descent into a zone whose every shade
Completes a sight till it’s bright—
Tonight oranges—look at their ambergris aureoles!—are the globes
That compass my ken
Unless you insist it’s my earlobes;
The aesthetic I’m in the heartthrob of
Doesn’t allow me
To cite a banal but related memory
Blessedly rhymes with we
Walk across a grove; sticking to
it
This cross-country train of thought comes to chaos: sometimes “in a landscape of Having to repeat”
Makes redaction
Which isn’t to say but is
I’m not a Dane prince
Though one lovely Bloom writes he and E. D.
Can win any
Argument but with themselves;
Should the same be said of me
Disturbs the littlest bit and leastwise this
Azalea curling around a fence
Dividing manicured from a glade
Seeps with your every step
Pressing till cells beat into blood’s marrowy birthplace
And the interior originates the exterior:
Only then does your brain
As if it’s
“Emptied some dull opiate to the drains”
Begin addressing what we’re going through—how marvelous to turn out in another
Hemisphere where it’s fall.
Reality is “an effort of affection” so
If there’s little effort
One’s left with little’s real
Or the right’s election?
I don’t believe hierarchies are right:
Why live perpetually night
Instead of the full store spread of daylight
In which there are so many ways to see—
Not even such grandeur as our moon
To circumscribe sight:
Yes you have a point it’s
Always under threat of seeing;
Adam take away thy vale: see the value of a thing
Itself here-now not the very of visionary;
Tarry awhile said slow;
Sure why not I’ve nowhere to go
Than the world which is everywhere.
Issue 11
Process vs. Product
Spring 2010
The Third Jewel
Chris Malcomb
On War and Remembrance
Ken Rodgers
Immaculate
Wendy Sumner-Winter
Spectacles of the Mind
Manda Frederick
birds who eat flowers
ali lanzetta
Ars Botanica
Katharyn M. Browne
The B-Boy
Martha Grover
The Lonely Freedom
Chris Carosi
The Missing Person
Maureen Alsop
Upon Revisiting the Birthplace of the Preacher Billy Sunday
Eric Rawson
One Way of Looking at a Poet
Stephen Maurer
Atomic Gardening—
Adam Strauss
The Story
Jennifer Skogen
Notes on Joan Crawford
Cedar Sigo
Untitled (NIJINSKY)
Cedar Sigo
Vinculum
Katharyn M. Browne
For Our Time
Dunstan Christopher
December 33
Jami Proctor-Xu
THE MOOR DANCES
Mark Boccard
Apala
Jason Nemec
Maena
Dabney Lyles
The Lonely Story
Mark Gozonsky
Home Improvements
Christine Meade
out back by the rabbit pen
Calder Lorenz
Saint-Michel: A Moment in Six Forms
Andrew Valencia
