Upon Revisiting the Birthplace of the Preacher Billy Sunday
Eric RawsonOn the corn fields—the river crests and floods
And the sparrow tucks under a wet wing
I must have believed it once when I came
Here to be hidden behind the treatment
Plant before the dealerships bought up all
The bottomland except this far corner
Even wet the acorns clack as they fall
From the yellow branches to the pavement
Stained with the tannins of half a century
Maybe more some shed some crib or storehouse
Stood here sheltering equipment records
Against the horde of winter sweeping down
From Canada—and there’s the rusted ruin
Of the old car a Chevrolet I think
Though it’s hard to see under the sumac
And huckleberries and saplings pushing
Through the rotted seats and sticking out through
The broken windows—what a mess of blood-
Root and cockleburrs—I kick through it
Crunching acorns looking for the old marks
I drag my bag of sins behind me pale
Ones the rotten crabs and dark ones the burned
Wings heavy heavier every year—
But I’m too selfish to give them away
The little dears and the scary mothers
Drag my bag through the city where I live
Picking up sins at the farmers’ market
Where I trample the sour disgusting old
Women licking the radishes picking
Up sins on the boulevard as I crack
The skinny fingers held out for a buck
Gathering sins while I’m rolling on the floor
Of the Largo chewing the waitresses’
Skirts like a dog—toss them all in my bag
And stagger on through the beautiful world
Leaving a trail of black oil behind me
I’m lazy lazy all day and the next
I’ve hardly shaken off the night’s dander
Before it’s time to lean into the arms
Of afternoon—the years have hung the weight
Of luxury on me—I can’t bear it—
Here I am trying to live again with-
Out all the fat all the cheesy richness—
O stupid youth rooted in the wind—I
Know now why I sat on those hard pews when
All I believed in was sliced beef on rye
And a girl’s new hips flaring in the grass
And I know now why I went the long way
Through snow or stood in the rain on the steps
Of the library for hours I know why
My head ached with algebra and why I
Hungered for the sight of ice-hung branches
But refused to let my dreams inform me—
There’s hardly anyone alive today
Who remembers the wide use of manure
The smell of it on the fields or the smell
Of dung in the towns who knows what coffee
Smelled like at Wilshire & Vermont at eight
O’clock in the morning one-hundred years
Ago—hardly anyone remembers
The smell of the canvas tabernacles
Or fresh sawdust on floors and what about
The smell of kerosene which no one knows
Anymore and the smell of castile soap
The smell of the Bronze Age the goats and figs
Or the smell of Gettysburg with its ten
Thousand rotting horses and smoking trees
There’s no one alive who knows the smell of
Teepees by the Mississippi River
And no one who knows the smell of my own
History except me—the smell of the bed
The smell beneath the juniper the smell
Of pears of frog-water the smell inside
A trombone case and of the gray paint on
The bleachers the smell of wet newspaper
That belongs to only one life among
The many and keeps the gate of memory
Open the smell of the first day of it
Of a ditch of a wet red dog the mud—
Kneeling knees soaked ankles soaked hair dripping
I shake with the cold but not only that
Out here in the weeds in the greasy rain
Out here in the presbyterian autumn
Pouring down its dark flumes of clouds and flocks
Of migratory fowl—let the wind blow through
My bones and hollow me out like a shell
Tear down my pride and hide me in the grave
Of your love dear God—I don’t want to live
Another day without your fingers wrapped
Around my heart—save me from history
The fat-lipped ghost is resting his head on
My shoulder and muttering in my ear
He’s squeezing my neck and poking my ribs
With his big hands—he keeps insisting that
I understand about acorns—he thinks
There is a lesson listen he mutters
I know you don’t like me—he spits it out
I don’t like you—you don’t have to like me
To learn to serve to let a squirrel plant
You in the cold muck to be a kernel
Cut from the tree—you don’t have to like it
But I’m going to spit into your ear—you
Will be yourself in giving everything
To the world—it does not matter that you
Lose your goddamn sins—you know this is true—
Over the dealerships the floodlights bloom
Whitely and a tractor-trailer gears up
The incline on the highway into town
All across the Midwest the sober psalm
Of October repeats in the mouths of
Crows and the whispering grass winter
Has begun draining the blood from the land
Issue 11
Process vs. Product
Spring 2010
The Third Jewel
Chris Malcomb
On War and Remembrance
Ken Rodgers
Immaculate
Wendy Sumner-Winter
Spectacles of the Mind
Manda Frederick
birds who eat flowers
ali lanzetta
Ars Botanica
Katharyn M. Browne
The B-Boy
Martha Grover
The Lonely Freedom
Chris Carosi
The Missing Person
Maureen Alsop
Upon Revisiting the Birthplace of the Preacher Billy Sunday
Eric Rawson
One Way of Looking at a Poet
Stephen Maurer
Atomic Gardening—
Adam Strauss
The Story
Jennifer Skogen
Notes on Joan Crawford
Cedar Sigo
Untitled (NIJINSKY)
Cedar Sigo
Vinculum
Katharyn M. Browne
For Our Time
Dunstan Christopher
December 33
Jami Proctor-Xu
THE MOOR DANCES
Mark Boccard
Apala
Jason Nemec
Maena
Susan Green
The Lonely Story
Mark Gozonsky
Home Improvements
Christine Meade
out back by the rabbit pen
Calder Lorenz
Saint-Michel: A Moment in Six Forms
Andrew Valencia
