Vinculum
Katharyn M. Brownefor Walt Whitman.
Barb and spine,
column and procession—
rungs of helix fit
under lens. This rough art
stammers forward.
A ligature fits
between shadow
and foreground
of pealing and striking
marches or hymns.
Carbon, carbon, carbon,
phosphate, arc
and bend, arc and bend!
Fits and starts
meet in concealed mesh:
a grid, a filter, a screen.
Invisible and tangible—
the combined effect
stitches souls
and bodies. Filament,
filament, diaphysis,
wire stretch between
thighs and language,
sound and teeth.
Issue 11
Process vs. Product
Spring 2010
Nonfiction
The Third Jewel
Chris Malcomb
On War and Remembrance
Ken Rodgers
Immaculate
Wendy Sumner-Winter
Spectacles of the Mind
Manda Frederick
Poetry
birds who eat flowers
ali lanzetta
Ars Botanica
Katharyn M. Browne
The B-Boy
Martha Grover
The Lonely Freedom
Chris Carosi
The Missing Person
Maureen Alsop
Upon Revisiting the Birthplace of the Preacher Billy Sunday
Eric Rawson
One Way of Looking at a Poet
Stephen Maurer
Atomic Gardening—
Adam Strauss
The Story
Jennifer Skogen
Notes on Joan Crawford
Cedar Sigo
Untitled (NIJINSKY)
Cedar Sigo
Vinculum
Katharyn M. Browne
For Our Time
Dunstan Christopher
December 33
Jami Proctor-Xu
THE MOOR DANCES
Mark Boccard
Fiction
Apala
Jason Nemec
Maena
Dabney Lyles
The Lonely Story
Mark Gozonsky
Home Improvements
Christine Meade
out back by the rabbit pen
Calder Lorenz
Saint-Michel: A Moment in Six Forms
Andrew Valencia
Art
