Bicycle
Ben Paris
1.
The rain that night against the corrugated roof was as loud
as an approaching train. In the morning, she opened the shutters on the side of
the house and gasped.
“What?” he said.
“Look,” Rafaela said.
The body was face down in the mud, next to a creek that
doubled as a sewer; a purple patch of skin on the lower back, dark spot in the
center.
She ran to the front of their house and stepped out across
the muddy narrow street to her parents’ house.
He followed, stood in the middle of the road, pointed with
his thumb. “I’m going around the side to take a look.”
She stood next to her father, Senhor Arlindo, who appeared
at his front gate after she called. “Stay here, Franklin,” she said. “No reason
to get involved.” She insisted on using his complete name when she was angry or
stressed.
“Just a quick look.”
“Listen to me please.”
He turned and stepped over the rushing creek to the body,
and leaned over it to see if he recognized the face. He placed his hand on a
coconut tree to keep from slipping in the mud. A gathering of ants bit him
before he had a chance to brush them off.
2.
He still hadn’t met his wife, Rafaela. It was the time
before the internet, and Franklin hadn’t found his place in the world yet. Travel,
going to cities where he’d didn’t speak the language and didn’t have any
friends, was his way of looking.
In Beira Mar, a bairro
at the edge of Salvador in Brazil, the bus stopped and he got off. She was sitting on a bench, the ocean behind
her a fathomless blue that postcards couldn’t reproduce.
Letters from home arrived now and then at the American
Express office downtown. Telephones were scarce. Franklin was still young
enough to make a point of going to the airport every other weekend to call
family at the international telephone booth.
He sat next to her, and gestured toward the ocean with an
open hand. She said something in Portuguese he didn’t understand. Children rode
by on bicycles over the black and white stone sidewalks. A fisherman eviscerated
a sting-ray on the sand. They were silent and awkward. She touched him lightly
on the elbow, and stood.
“Daisy,” she said, and shook his hand.
“Like the flower?”
“Yes, the flower.”
They entered the place through the back. Scraps of
plywood and old billboards, images of politicians smiling, served as a fence.
Quail, the color of dirt, wandered around or snuggled in the dust. A baby girl,
two years old maybe, squatted next to an outhouse in the corner.
On the floor in the bedroom, a comic book romance, with a
ravaging muscular couple on the cover; Daisy kicked it out of her way as they
passed.
She wanted money, she said, when they were done. But a book that could help her learn English
would do.
Through the bedroom window, a boy balanced himself on a
rusted bicycle frame; no wheels, and no seat. He wore a t-shirt that reminded
Franklin of home: “NY Giants, World
Champions, 1986.”
She snapped at the boy, and he walked over to the window. He
held out his hand to Franklin and said in stilted English, “What your name?”
3.
Franklin stood over the body. He heard their footsteps
through the leaves and twigs; the smoke from her father’s cigar, Rafaela’s
voice.
“First smoke of the day, huh?” Franklin said, when they
arrived.
His father-in-law, Senhor Arlindo, ignored him. Fisherman’s
cap, extended belly, sinewy arms, Arlindo nudged the body with his foot and
sighed. He crouched, secured his footing on a rock jutting from the mud, and
felt for a pulse with the back of his fingers.
“Lazaro,” Rafaela said. “They must have dumped him here
during the storm.”
“Daisy’s boy,” Arlindo said.
“Bastards,” Rafaela’s mouth twitched. “Was he even
seventeen?”
“I didn’t know you
knew Daisy,” Franklin said.
“A lot of things you don’t know,” Arlindo said
“He was a good kid,” Franklin said, backing away from the
bank of the stream.
“The kid was a thief, and that’s the least of it,” Senhor
Arlindo said.
“Well, when we knew him he was a good kid, right Rafaela?”
Issue 14
Global vs. Local
Fall 2011
Eros in Footnote
Matthew Kulisch
Augur of Familial Scenes
Brent House
Household Archeology
Anne Babson
On Palindromes
Elizabeth Robinson
On Grass
Elizabeth Robinson
Consumerism
Janice Worthen
Charting
Anhvu Buchanan
On January 1
Elizabeth Robinson
Bicycle
Ben Paris
Like Nothing
Robyn Carter
Excerpt from The Fayum Portraits
Kate Moses
BEYOND THIS POINT ARE MONSTERS
Roxanne Carter
The Sad Sentence
Andrew McLinden
SON OF A FATHER
Tony Press

